This is a great course

For explaining the compositing process (along with various other techniques) well,  for both ginners and professionals. The first thing you should do is collect all the images you plan to use in your composition into one folder; a project folder, if you will. It’s unlikely that the images you’ll using will close to each other on your hard drive, so spending a few minutes collecting them can save a lot of time. Resize and/or rotate each individual image so it fits your composite image correctly. If you want to make an image smaller, you can usually use the zoom tool in.

If you ne to make

An image significantly larger, you may ne a third-party plugin to accurately resize the image without rucing its quality. Students also learn that some images ne to resiz fore ing add to the layer stack, while Sweden Business Email List other images can resiz once they are part of the layer stack. After all the images were resiz and rotat to the correct orientation as ne, the next step was to arrange the various parts of the composition into layer stacks. Here comes the most time consuming part. You have to use layer masks to paint the appropriate parts of each photo that will seen in the final image.

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This can take hours

If you’re working with many complex images, and is probably where you’ll have the most difficulty when you first start compositing. If you’re new to manipulating layer masks, Selection and ADB Directory Masking will help you understand the basics of using layer masks effectively. Basically, a layer mask is a diagram that shows the parts of the upper layers that are visible in the composition. Rememr that an all-white layer mask reveals the entire layer while hiding layers low it. An all black layer mask hides the entire layer while revealing the layers low. Areas in the layer mask that are neither black nor white partially reveal the layer you are masking.

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